Spectacularity and surprise in changing the scene.

We could have done it in post-production and been done with it, or we could go all out and build a mega set with walls that open up. Guess what we chose?

Construction, walls that opened, moving sets, a giant stage.  With the whole team led by director Ene Fariña, art director Estrella Benito, builders, 3D designers… we came up with a set where we moved from one scene to another through a wall that split in half. We rented the biggest studio in Barcelona, locked ourselves in there for a couple of days to set up, and just one day to shoot the whole thing. The team literally gave their all to make it happen. My respects. The rest is history.